{"id":22632,"date":"2023-01-04T17:52:00","date_gmt":"2023-01-04T18:52:00","guid":{"rendered":"https:\/\/www.zigguart.com\/?p=22632"},"modified":"2023-01-04T17:52:13","modified_gmt":"2023-01-04T18:52:13","slug":"those-who-were-those-who-are-and-those-who-will-be-exhibition","status":"publish","type":"post","link":"https:\/\/www.zigguart.com\/en_us\/those-who-were-those-who-are-and-those-who-will-be-exhibition\/","title":{"rendered":"Those Who were, Those Who Are, And Those Who Will Be: An Exhibition By Marco Antonio Jimenez Iriarte"},"content":{"rendered":"\t\t
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Marco Antonio Jimenez Iriarte<\/strong> has participated in the 5th Biennial of Contemporary and Modern Art<\/strong> held in the state of Merida-Venezuela with his new project Those Who were, Those Who Are, And Those Who Will Be<\/strong>.
The 5th Biennial of Contemporary and Modern Art was held from November 23 to 27 of 2022<\/strong>, in ULA M\u00e9rida, Venezuela<\/strong>. In this article, We want to take a look at Marco Jimenez’s new project Those Who were, Those Who Are, And Those Who Will Be.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Marco Jim\u00e8nez <\/strong>is a contemporary visual artist from Venezuela. In 2000, he graduated from the Armando Rever\u00f3n University Institute of Higher Studies in Plastic Arts. Title Obtained: Bachelor of Fine Arts Mention in Painting (Caracas \u2013 Venezuela). And in 2006 he graduated from the National University of Costa Rica with a Master of Business Administration in Museology (M.B.A).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Those Who were, Those Who Are, And Those Who Will Be. \n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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While it is true that there was an unexpected crack<\/strong> in space and time (which is not the same as space-time), it is also true for some that this crack was expected, maybe not so soon, but predicted. The changes that have been taking place slowly for a long time were accelerated, and the time between what was predicted or suspected and the time of its manifestation was shortened. These events that were orchestrated by who knows who (the divine<\/strong>) or by whom (the human<\/strong>) are at the margin of those who suffered most deeply from those changes that I will call EL COMUN<\/strong>. The arts and artists were not exempt from this suffering, thus giving the opportunity, as they say here, to RETURN TO THINGS<\/strong>.
Well, what is the THING<\/strong>, or what can I refer to this phrase, RETURN<\/strong> TO THINGS?<\/strong> Many ideas or reflections on the thing concerning art come to mind. As some say now: the work of art is no longer the object, the thing, that to which everything can be attributed synonymously. That thing that can be given the absolute power to try to move worlds or multiverses (a term that is very fashionable and that is coined here in a good way<\/strong>) in man, entering into multiple discourses that by this action leaves the thing aside (also called a work of art in this writing and for this event<\/strong>).
I return to the thing and therefore return to the past, seeing it from a very objective lens, bringing to the contemporary that object, whose handmade creation amused us, contained a playful substance that infected everyone and that brought it to the here and now. somehow it becomes the most technological, modern, current, and other synonyms, such as toys that remain over time.<\/p>

\"\"Bringing that thing to the present in some way affects the updating of the programs in the brain to produce ideas of more current things but that will continue to fulfill the function of entering the mind to try to identify with it. That thing that returns, that thing that returns bringing with it everything that lived in its time and on the way to the here and now, brings a new form or way of rethinking how that thing will be, how we will be before that thing and the circumstances that caused it.
We are here, facing many changes that just some are adapting to, while others simply see it as part of their life experiences without any effect on their daily lives<\/strong>, and that is the false reality before which we see ourselves, a multidimensional mirror… hello Alice, we meet again.<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Project<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"\"The project is an installation where works of a two-dimensional<\/strong> nature are also seen, all made with recycled paper<\/strong> and cardboard material, where multiple techniques intervene or make an alliance, mainly collage<\/strong>, painting<\/strong>, some graphic techniques<\/strong>, etc.
It is a paper airplane (remember origami<\/strong>) as I used to do as a child with my uncle. This plane is made from all the paper waste, that I have collected, magazines, sketches of my materialized or not materialized work, children’s drawings, etc. I have made everything that helps me to form a large sheet whose dimensions I have not exactly calculated, but in my mind, I see it as 5 square meters, perhaps more.
It will be a kite plane<\/strong> since it will have a tail. It will be suspended from the ceiling, or it could also be on the ground, evoking the viewer that it has already landed, so they can see all the images that make up this great plane.
This plane, this thing, will bring many memories to the interlocutor, and for others, it may create questions, those who never built it, much less played with it. In this monumental origami we are all, those who were, those who are, and those who will be.<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tVISIT MARCO JIMENEZ CATALOG<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Marco Antonio Jimenez Iriarte has participated in the 5th Biennial of Contemporary and Modern Art held in the state of Merida-Venezuela with his new project Those Who were, Those Who Are, And Those Who Will Be. The 5th Biennial of Contemporary and Modern Art was held from November 23 to 27 of 2022, in ULA …<\/p>\n

Those Who were, Those Who Are, And Those Who Will Be: An Exhibition By Marco Antonio Jimenez Iriarte<\/span> Read More »<\/a><\/p>\n","protected":false},"author":22,"featured_media":22634,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cwp_meta_box_check":"No","cwp_rev_product_name":"","cwp_rev_product_image":"","wppr_links":[],"cwp_rev_price":"","wppr_options":[],"wppr_pros":[],"wppr_cons":[],"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"categories":[23],"tags":[1460,1462,1461,1463],"class_list":["post-22632","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ziggunews","tag-exhibition","tag-marco-antonio-jimenez-iriarte","tag-marco-jimenez","tag-those-who-were-those-who-are-and-those-who-will-be"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/posts\/22632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/comments?post=22632"}],"version-history":[{"count":17,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/posts\/22632\/revisions"}],"predecessor-version":[{"id":22656,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/posts\/22632\/revisions\/22656"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/media\/22634"}],"wp:attachment":[{"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/media?parent=22632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/categories?post=22632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zigguart.com\/en_us\/wp-json\/wp\/v2\/tags?post=22632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}